![]() ![]() The progressive, largely acoustic arrangement walks the line between mariachi, nuevo cancion, and even groovy bossa nova, with lithe flutes, nylon-string guitars, and hand percussion. This version of "No Se Olvidar," originally from 1997's excellent Me Estoy Enamorando, is more stripped down. Likewise, "Te Quiero, Te Quiero" walks the line between bolero and pop, buoyed by the orchestra as Fernandez soars above. ![]() "Hoy Tengo Ganas de Ti," with its dramatic string chart, add dimension and texture to the passion in his voice. Fernandez gets right to it, delivering two killers in a row: the fingerpopping, nocturnal, jazzy swing of "Concavo y Convexo" and the anthemic pop rock of "Se Me Va La Voz," with its striking horn chart atop the languid guitars and keyboards. ![]() While the program is largely comprised of hits, these performances are not only savvy and diverse but are at times majestic. He took the stage with his stellar touring band, the Orquesta Sinfónica de Madrid, and a mariachi group (the latter a first at the Teatro). In July of 2014, Alejandro Fernandez became the first Mexican pop singer to perform at Madrid's legendary Teatro Real.
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